The Black Feminist Echo Lab is a collective of University of Utah faculty, staff and graduate students focused on ecological integrity using a Black feminist lens to work toward ways in which all living beings (particularly those most susceptible to oppression and death in these times of pandemics and environmental destruction) can exist in relationships of care, love and joy. We live and work in a city that is suffering from severe drought and experiencing the loss of habitat from the shrinking Salt Lake. We are particularly interested in how, in the age of the Anthropocene, human and non-human beings that have been historically valued for what they can provide within a capitalist society—labor and natural resources—are striving to stay alive, and more than that, embrace aliveness.
Our goal is to produce a rich, vibrant scholarship and praxis which brings together a community of intellectuals, change agents, artists, learners, and practitioners to create a new paradigm of what a thriving, inclusive ecosystem operating on the fluid theoretical frameworks for Black feminism can embody. To achieve this goal, we have developed a Black Feminist Aliveness Model (BFAM) which uses Black feminist and ecological theorizing, involves the biotics and abiotics within our ecosystems, and centers an ethics of care. We envision this model as the methodological grounding for our 2024 Working at Aliveness workshop.
Workshop Information
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Day I (June 10th) - Convening & Grounding Aliveness
- 4:35pm Pick up from hotel
- 4:55pm Arrive at Nature Center
- 5:00pm Welcome & remarks
- 5:20pm Reception, Jordan Nature Center
- 8:30pm Close
Day II (June 11th) - Imagining Aliveness, full workshop day - S. J. Quinney College of Law
- 8:40am Pick up from hotel
- 9:00am Arrive at law school & breakfast
- 10:00am Icebreakers
- 10:15am Introduction to the Black Feminist Eco Lab
- 10:30am Processes and purpose
- 11:00am Break out groups
- 12:30pm Lunch
- 1:30pm Share out
- 2:30pm Exercise
- 3:30pm Closing announcements
- 4:00pm Close
Day III (June 12th) - Celebrating Aliveness, Antelope island & The Shop)
- 9:10am Pick up from hotel
- 10:00am Arrive at Antelope Island for guided tour
- 12:00pm Return to hotel & on your own
- 5:45pm Pick up from hotel
- 6:00pm Mingle & dinner
- 6:30pm Book launch & signing
- 7:30pm Reflecting on working at Aliveness
- 8:00pm Open mic (come ready to read your own or your favorite Black feminist poet’s poetry)
- 9:00pm Roof top mix & mingle
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Black Ecologies – Imani Jacqueline Brown
the earth is a living thing – Lucille Clifton
this is what it sounds like (an ecological approach) – Alexis Pauline Gumbs
To Sing a Song of Palestine – June Jordan
Out in the Country of My Country – June Jordan
Dear April The Aesthetics of Black Miscellanea - Katherine McKittrick
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Black feminism is and can be many things to many people. In this space, we hold space for Black feminism as plural—as Black feminism(s), springing from the local, global, diasporic, and transnational; as praxis, as in always in relation to both conditions of production and conditions of living; as epistemological, i.e., world building and world studying; as historical and historicizing; as comprising and acknowledging many genders and the constructedness of blackness; as a fugitive analytic; as “both/and,” that is, as powerfully paratactic.
To echo Nash’s (2019) thesis, Black Feminisms is and has always been an anticaptivity project. Therefore, we hold no intention of prioritizing one identification with Black Feminist epistemology over any other. Instead, we invoke Black Feminisms’ power to call in the many and, yet, to think in “Oneness” (Quashie, 2021). Critically aware of our current political and ecological circumstances and all that they imply for our collective wellbeing, we wish to dream through the lens of Black Feminisms grounded on the premise of “aliveness” rather than racial violence, antiblackness, and social death. We are indebted to a host of scholars (McKittrick, 2020, 2022; Quashie, 2021; Kelly, 2002; King et. al, 2020; Pough et. al, 2007; Campt, 2017; and more) for orienting us to the beyond, the otherwise, the within, and the underside necessary to forging new worlds and spaces for us to thrive. We urge theories of Black Feminisms that begin and end in analytics based on how we live (McKittrick, 2011) and how we get free (Keeanga-Yamahtta Taylor, 2017).
We uphold that Black feminisms has always been alive, always been here. Standing and crossing. Carrying the yoke and slipping it. As rooted as the baobab and as dispersed as the dandelion. How we theorize our being, doing, and mattering is, from the quotidian rhythm of a mother pounding yam to the intricate codes in a freedom quilt to a 13 year old black girl solving an equation to ** , simply how we do it.
We invite you to define and share Black Feminisms as you see it/them. And our pledge for this inaugural workshop is to hold space and change as we evolve together. Let’s agree:
- To be intentional about the way we define and practice Black Feminisms
- To trouble our shared frameworks in order to explore how we might invoke acts of post-apocalyptic worldmaking now
- To practice kinship through shared acts of love, beyond phenotype and physiology
- To bring our whole selves in our full embodiment to this place
References
Campt, T. 2017 Listening to Images Durham : Duke University Press
Kelley, R.D.G. 2002. Freedom Dreams: The Black Radical Imagination. Boston : Beacon Press
King, T. ; Navarro, J., and Smith, A. 2020 Otherwise Worlds: Against Settler Colonialism and Anti-Blackness London: Duke University Press
McKittrick, K. 2011 “On Plantations, Prisons and a Black Sense of Place.” Social and Cultural Geography, 12:8, 947 – 963.
--2022. “Dear April: The Aesthetics of Black Miscellanea.” Antipode published by John Wiley & Sons Ltd on behalf of Antipode Foundation Ltd. Volume54, Issue1
Nash, J. 2019. Black Feminism Reimagined: After Intersectionality. Durham : Duke University Press
Pough, G., Neal, M.A.; M. J. 2007 Home Girls Make Some Noise: Hip-Hop Feminism Anthology Mira Loma, Calif. : Parker Publishing, LLC
Quashie, K. 2021. Black Aliveness, or A Poetics of Being Durham: Duke University Press
Taylor, K., 2017 How We Get Free: Black Feminism and the Combahee River Collective. Chicago, Illinois : Haymarket Books
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Land acknowledgement
We acknowledge the land where this workshop will be held, which is named for the Ute Tribe, is the traditional and ancestral homeland of the Goshute, Paiute, Soshone, and Ute Tribes. The land where we will gather has long served as a site of gathering and exchange for Native and Indigenous Peoples. We recognize the long history and enduring connections they have to their traditional homelands. We also recognize tribal sovereignty, the right for Indigenous Peoples to govern themselves and hold distinct governments that hold the same authority as federal and state governments.
Participants and organizers of this workshop come from various parts of this settler-state, where the land they currently reside is also currently occupied land, stolen from Indigenous People, the original stewards of the land.
Labor acknowledgement
We also take a moment to acknowledge the labor upon which this settler-state and institutions are built.
We must remember the United States is a country built on the forced labor of enslaved people kidnapped from their homelands in the continent of Africa, and indigenous populations forced to build a settler empire waged on their genocide.
We also acknowledge all the labor of immigrants, including voluntary, involuntary, trafficked, forced, and undocumented peoples who contributed to the creation of this country, state, and institutions and continue to serve within our labor force. We also acknowledge all unpaid care-giving labor that is specific to the Black Feminist ways of knowing and being centered in this shared space.
Participants
Chelsea N. Bouldin is an Octavia E. Butler scholar, Ph.D. candidate, and university fellow at Syracuse University in the Cultural Foundations of Education department. She is also pursuing a Certificate of Advanced Study in women’s and gender studies. Her dissertation research considers how Afrofuturist literature/Afrofuturist ideologies serve as both tools for, and expressions of, Black women’s autonomous understandings and creations of self. Her work also explores archives as sites of epistemic repossession. As a practice of democratizing archival knowledge, she developed the So be it; See to it: Archiving Project–a community engaged interactive reading collective for Black women in Syracuse, N.Y. to converge her academic research with the Butler archives, parts of Butler’s literary canon, and collective histories beyond the academy. Most recently, Chelsea’s work has been generously supported by Imagining America (IA), Humanities New York (HNY) the Huntington Library, and Syracuse University’s Humanities Center.
Flavorful food, Black sci-fi, boundless writing, impromptu exploration, and laughing endlessly fill her dreamiest days.
Jaimie D. Crumley is an assistant professor in the Gender Studies and Ethnic Studies Divisions with the School for Cultural & Social Transformation at the University of Utah. She is a Black feminist public historian who interrogates the history of race, gender, and religion in eighteenth and nineteenth-century New England.
Jaimie is engaged in two research projects. The first is a study of the people of African and Indigenous descent who participated in the religious, social, and cultural life at Christ Church in Boston (more commonly known as the Old North Church) from 1723 to 1860. She argues that African and Indigenous peoples’ engagement with the rituals of Episcopal Old North produced trans-Atlantic ideologies of race, gender, and sexuality that inform contemporary ideologies of the same. Jaimie has documented her research in the video series Illuminating the Unseen, produced by Old North Illuminated. Dr. Crumley’s second research project is her first scholarly monograph, “We Will Live: Black Christian Feminists in the Age of Revolutions.” “We Will Live” is about New England’s Black women abolitionists, theologians, sisters, and friends from roughly 1770 to 1870. It argues that Black New England women remade Christian theology to articulate their desire to abolish slavery, sexism, and racism.
Rae Duckworth is the current operating chairperson for the Black Lives Matter Utah Chapter and a board member of the first Utah Black History Museum. Duckworth became involved in political organizing after the death of her cousin Bobby Ray Duckworth, who was killed by police during a mental health crisis on World Suicide Prevention Day, September 10, 2019.
Duckworth joined the Black Lives Matter Utah Chapter to enhance awareness and participation both politically and within the community, focusing on decolonizing and accepting mental health practices and conversations. The chapter hosts an annual Kids Camp at the end of summer to promote self-empowerment among Black and Brown youth in Utah.
With a lived experience in Utah, growing up as a Black queer womxn and parent, Duckworth deeply understands the importance of preserving Black stories, amplifying intersectionality, raising awareness, and creating safe spaces for youth to learn, teach, and grow.
As chairperson of the Black Lives Matter Utah Chapter, Duckworth advocates for an abolitionist framework through their participating in policy, lobbying, registering community members to vote, and sharing knowledge about current issues and voter rights.
Duckworth has a degree in nursing with plans to continue their education in health and wellness.
Logan Rae Gomez is an assistant professor of communication at the University of Utah in the areas of rhetoric and critical/cultural studies. Long invested in social movement activism and theorizing, resisting gender violence, and confronting racism, their academic research interests lie at the intersections of rhetoric, race, and violence. Informed by Black feminist theories, perspectives, and activism, Logan’s current research engages Say Her Name—a campaign and social movement that illuminates racialized police violence against Black women by naming, reclaiming and making their stories visible. Broadly, this research trajectory compels Logan to ask questions about racialized temporalities and the rhetorics of erasure, preservation, and possibility. Most recently, Logan co-edited a forthcoming special issue in the Journal of Rhetoric, Politics & Culture entitled, “Rhetoric and the Abolitionist Horizon: Endings, Openings, Ruptures, Beginnings” which encouraged scholars to imagine (im)possible horizons where societal transformation and liberatory futures are already a given. Logan’s other work has been published in Rhetoric Society Quarterly, Communication and Critical/Cultural Studies, Women's Studies in Communication, and First Amendment Studies.
Shalonda Ingram is a dynamic leader and innovator, passionately dedicated to community, culture, and impactful change. As a Co-Founding Member of Zebras Unite, she drives initiatives that position businesses as transformative agents, fostering a more equitable economy. Her role as a Fellow at Public
Democracy America highlights her global impact, tackling pressing issues such as sex trafficking and advocating for justice.
In her work with the Universalist National Memorial Church and the Church of the Holy City, Shalonda redefines communal spaces through strategic placemaking, blending architecture and community engagement to create vibrant, connected environments. Her leadership in these roles extends from
Washington, DC, to Wilmington, Delaware, amplifying community growth and resilience.
Shalonda's innovative spirit shines as a Special Projects Consultant at Idea Connection Systems, where she transforms challenges into opportunities. At TTJ Productions, she ensured the success of every event component, leading a team committed to excellence.
As the Founder of Born Brown: All Rights Reserved®, Shalonda empowers the Global Majority through a dedicated social enterprise. Her visionary leadership also manifests in the Nursha Project, fostering creative collaborations that transcend boundaries. Shalonda's journey is a testament to her unwavering commitment to inclusivity and transformative change.
Charlen McNeil-Wade, a seasoned justice, equity, diversity, & inclusion (JEDI) professional with 15+ years' experience, specializes in fostering equity through leadership development, innovative hiring processes, and empowering workshops. Currently contributing her expertise at the University of Utah serving as the manger of health and well-being strategic initiatives. She is also the founder and executive director of The Moore Foundation, Inc. Charlen champions education for formerly incarcerated individuals and their families. Her impactful training sessions in both private and academic sectors raise awareness about JEDI practices. Charlen is a third-year doctoral student at the University of Utah, researching the reintegration of formerly incarcerated students through education. She holds master's and bachelor's degrees from Columbia University and Fairleigh Dickinson University, respectively, and an associate degree from Bergen Community College. Charlen's commitment revolves around supporting marginalized students to succeed on their own terms, and she fosters unity, education, and empowerment through her involvement with Beta Kappa Sigma Black and Latina Sorority Inc.
Ruhan S. Nagra is Associate Professor of Law and founding director of the Environmental Justice Clinic at the University of Utah S.J. Quinney College of Law. Prior to joining the Law School, Nagra was Director of the Environmental Justice Initiative and a Senior Clinical Supervisor at the University Network for Human Rights, which she co-founded in 2018. At the University Network, Nagra worked with frontline communities in the United States and globally to challenge environmental injustice. Nagra was previously a clinical instructor at Stanford Law School’s Human Rights Clinic. In close partnership with affected communities and grassroots organizations, Nagra brings an interdisciplinary approach to her work, which has included: a peer-reviewed community health study in Louisiana’s Cancer Alley; an analysis exposing racially discriminatory effects of an industrial buyout in Mossville, Louisiana; and litigation challenging the expansion of Liquefied Natural Gas infrastructure in Brooklyn, New York. Her most recent article, forthcoming in Duke Law Journal, explores the justice implications of climate-induced relocation in the United States. Nagra has also lived and worked on human rights issues in the occupied Palestinian territory, including on environmental justice, freedom of movement and access, and the right to education. She is on the board of Tikkun Olam Productions, a documentary film nonprofit that highlights social justice issues through narrative storytelling and historical examination. Nagra’s work has been covered in major news outlets, including VICE, CBS Evening News, The Washington Post, Reuters, The Guardian, USA Today, Axios, Newsweek, and Democracy Now. She holds a J.D. from Stanford Law School and a B.A. in Human Biology from Brown University.
Nagra’s work has been covered in major news outlets, including VICE, CBS Evening News, The Washington Post, Reuters, The Guardian, USA Today, Axios, Newsweek, and Democracy Now. She holds a J.D. from Stanford Law School and a B.A. in Human Biology from Brown University.